Isn’t that lovely? That’s a silk taffeta with silk organza appliques, painted flowers, and sewn beads. Love it. This is about to become a 3/4 circle skirt. I started stitching it and then realized I was out of lightweight seam binding, so I’ve ordered a bit more and am stalking my poor mail carrier, Frank. Feel sorry for Frank. He has to cart a lot of packages for me.
So, this round of remodeling is all done but for some tile repairs in both bathrooms, and that means I was able to put my sewing room back together. Literally — honestly, literally — as the painting crew started carting their stuff out, my laptop screen exploded with a virus. Within one hour, the painters were gone and so was my laptop, to the repair shop, where it lived for six days.
This is why my blog has been quiet. Hectic life, quiet blog, right?
But there has been a little sewing progress. I hemmed this little summer tank dress, which has been lingering for far too long in my UFO pile.
New Look 6210
I made only minor alterations to this pattern, adding a little room in the bust and making the racer back a little more modest. Here, I’ll show you the racer back as altered.
You can see that the back armscyes from underarm to shoulder are slightly cut in, but not super cut in. I just thought that would be more comfortable. It’s not anything wrong with the pattern, just a personal preference.
I don’t wear many prints, and cutting this dress reminded me why that is. The fabric is a lovely rayon jersey from Mood (link), and the scale of the print plus the muted color palette were what drew my attention to it. Print scaling on a petite body can be a little tricky, but this one is so large that you almost can’t see the repeat. A trained eye will spot it, of course, but to most people, that will look like a pattern with no repeat. I liked that, and it turns out to look pretty good on my 5’3″ frame. (I’ll be sure to update with a modeled shot when the weather permits me to wear this.)
In any case, I wanted to take advantage of the scale of that pattern to make it look like a no-repeater, but I also wanted to make sure that none of the curves were hitting me in awkward spots. So I spent a lot of time fussing with the placement of the pattern pieces until I found something that would work. I swear, cutting prints is more work than sewing them, but in this case, it was worth all the tinkering and shifting a quarter-inch this way or that. I’m very happy with the way the pattern swirls around my torso. This is a fitted dress, and the curved lines accentuate the fit rather than fighting it.
A couple weeks back, I sewed a very large cardigan/jacket thing with a sweater knit also from Mood (link). I had just enough of this fabric leftover to make a quickie skirt. I lined it in some nylon tricot (also called lingerie knit) that I had in my stash. That worked out well. The knit is a wool (a bit sticky but not itchy) with metallic lurex threads spun into the yarn that give it a silvery halo. I don’t think I gave you a good look at this fabric before, but here it is.
You can just see how the silver threads add to the overall stickiness of the fabric, right? So lining it was the right move, especially given that this is a heavy knit skirt, suitable for winter wear, that would really need tights with it. We all know what happens when you don’t have a slippery layer between a sticky skirt and a pair of tights. Hellooooooo, good china!
I doubt I’ll wear the skirt very often, but what the heck. I had just enough length for it, and given the choice between whipping up a quick skirt and either tossing or storing the leftovers, I’ll take the skirt. Even if I only wear it once or twice a year, it’s still better than no skirt at all!
What do you do with your leftovers and scraps?